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Jonathan's Blog

Reaching Out

For many gay Americans, like myself, the face of Donald Trump is reminiscent of the schoolyard bully who physically threatened us. His constant bellowing of “WRONG” has the capability of re-traumatizing our inner shame we experienced as we came out; and for many, that shame still persists in our psyche today. Over the next several

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January 20, 2017

A Blessing in Music

“I will not let you leave me until you have blessed me.” Loosely translated, the patriarch, Jacob, spoke this to the angel with which he wrestled for a night, leaving him with an injured hip. Some five millennia later, I’m standing (for two and a half hours) on the Davies Hall stage, playing Messiah, with

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December 30, 2016

Music and the Magic of Place

MUSIC AND THE MAGIC OF PLACE What is it in an object that seems to hold the energy of people that have used it before? And why does the association with these places and objects of significance excite us? I had the great fortune of joining the San Francisco Symphony on its Spring tour this

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November 9, 2016

What I did last summer

I can’t recall how many times it happened, but it seems to me that most of my grade school years, through high school, had an English class which started with the assignment to write a short essay on “What I did last summer.” Long before we could even envision a life in which Facebook could

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October 4, 2016

Old Masters

Going up the old, wooden, circular staircase, with a marine rope for a banister, I ascended to the organ loft of the 15th century church, St. Mariager – originally a Carmelite monastery and still echoing the monks’ plainsong singing of Salve Regina that would form the centerpiece of my recital there. Well, I wasn’t actually

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August 4, 2016

That Tudor-Music Thing

I can remember it like it was yesterday: I was 16 years old and on an afternoon excursion with my high school friend, Betzi Robb. (Well, I think she was “Betsy” in those days.) We took a trip into Washington to visit Washington Cathedral, a favorite haunt of mine in my years growing up in

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April 10, 2016

Advent in Germany

I used to think that England had the corner on the Christmas spirit; doesn’t America try to emulate that Dickensian depiction of Christmas each December?  But when I got to Germany and saw the Weihnachts Markt in Köln, I updated my opinion:  Germany has the corner on the Christmas scene!  Never have I seen people

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December 13, 2015

Refléxion sur Paris

The past week has been one of extremes with respect to Paris, France and myself. A week ago I was basking in the sublime beauty of playing the music of Paris composer, Camille Saint-Saëns’, Organ Symphony with the San Francisco Symphony; and then, yesterday, the world learned the horrific news of a terrorist-led bloodbath in

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November 14, 2015

Playing Onstage in Davies Concert Hall

Last week I had the privilege of working with renowned pianist Andras Schiff in a concert in which he played (as both soloist & accompanist) and conducted.  He conducted the Haydn Lord Nelson Mass which uses a string orchestra, trumpets, choir, and soloists.  This is an interesting piece both musically and historically; it was written

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October 16, 2015

A High School Reunion

We eagerly anticipate them; and we dread them.  Reunions have the potential of stirring up old feelings of insecurity & resentment of long-forgotten cliques, but also the power to re-activate dormant friendships and stimulate new ideas.  For better and for worse, high school is a crucible, a culmination of the attitudes, behaviors, ethics, and responsibilities

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August 4, 2015

A Concert Tour in Europe

I’m now in my late-50s, and the romanticism of playing music in Europe is still yet to wear thin. As a kid, I often fantasized about seeing, hearing, and (mostly) playing the great and glorious organs of Europe. True confessions: American organs have rarely held the same appeal to me – except to the extent

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August 2, 2015

Playing in Poland

Gdansk will surprise you. The historic center has been re-constituted to its Renaissance appearance (so that it is somewhat reminiscent off the great city of Amsterdam) even though it witnessed complete destruction in 1945. A 40-minute train ride south takes you to Pelplin – a rather insignificant village (from a tourist’s point of view) with

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July 17, 2015

Playing in France

I keep oscillating back and forth about whether it’s better or worse to discover the secrets of French music in conditions of extreme heat. Having just played a concert at the cathedral of Montpellier, where the outside temperature was in the upper 90s, and the temperature at the organ was in the mid-80s, I went

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July 12, 2015

Rehearsing and Performing

While it seems very obvious to anyone who performs as a musician, either professionally or as an amateur, I don’t think that everyone else is aware of the vast difference between performing and practicing. Probably at least once each month, someone expresses shock that I – having made music professionally for forty years – need

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June 14, 2015

Brahms

It was truly a unique opportunity. A set of symphony concerts, in the regular subscription series, opening with 14 minutes of solo organ music. I can’t think of any time I’ve heard of that happening in a major concert hall in this country. When I was asked if I was available and interested in doing

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March 15, 2015

From Yale to Cambridge and Back

Ten weeks ago I made music in the most famous, and ancient, musical space in the Christian world:  King’s College, Cambridge.  Sitting on the organ screen, I felt humbled to realize that it was constructed in celebration of the marriage of King Henry VIII to Ann Boleyn.  Their initials are carved into the screen just

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February 15, 2015

If I had One Week Left to Live

Life is about balance: work and play, arguments and lovemaking, taking in and giving back, the expansion of travel and the concentration of being at home. I try to live my life in such a way that these two poles are always in balance. As a consequence, I don’t believe that I would feel a

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August 28, 2014

The Future of CDs

The following is taken from my final review which I wrote for the Journal of the Association of Anglican Musicians.  It gives my ideas about the future of the recording industry. This is my last CD column for the AAM Journal. I’ve greatly enjoyed the process of writing reviews, listening to CDs, and consulting with

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June 15, 2014
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Photo credits: Mark Wilson, Gary Sexton, Chris Gaede, Jonathan Dimmock. Website by Allison Rolls.